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"Writing is learning to say nothing, more cleverly every day. "
William Allingham

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  • The poets received all the attention last month, so once again, The Afterword is taking the month of May to celebrate short fiction. In this series of Q&As, we've asked short fiction writers – both emerging and established – to opine on the form.    Here, Steven Heighton [Note:  Heighton will be guest editing The Afterword this week. Check back here daily for his posts]: Q: What are the biggest challenges of keeping a short story short?A: For me, the problem is that the full cosmos is clamouring to get into everything I write--be it story, poem, novel, essay, or...
  • Do we really need articles like this any more? I mean, besides the stupidly easy process of getting your work into print these days, do we really want to encourage people to be clogging up the system with more slush? Mind you, this piece seems relatively reality-driven and does encourage people to give their heads a shake before they start whipping that novel at every mailbox in the biz. (Of course, anecdotal evidence historically sides with the chance that no one who actually needs to read those parts will.) But here’s the toughest part, harder than any other step, but easily the most...
  • Writing for movie, books or TV is one of the saddest profession I know. I admire and pity everyone who is.
  • With the dawn of a new decade and the continuing rise of internet technology, encouraging the next generation of writers has never contained such importance.
  • You can sabotage your writing career if you frequently engage in these two behaviors: Pitching yourself to strangers in a vague or long-winded way Asking questions of such a broad nature that you nearly disrespect the person called upon to answer Let’s tackle the pitching scenario first. Important: While I will specifically reference editors and [...]

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Fast fact about writing

It has been said that a monkey, randomly typing away on a typewriter (in the days when typewriters replaced the pen or plume as the preferred instrument of writing) could re-create Shakespeare-- but only if it lived long enough (this is known as the infinite monkey theorem).